LUXEMBOURG______________MUNICH_______PARIS__________GENEVA________BRUSSELS
STUDIO ABRICOT is a multidisciplinary design studio in the field of visual and spatial communication design.
Founded by Luxembourgish designer Rachel Hoffmann, Studio Abricot’s design practice is based on an analytical and conceptional approach. Informed by research and conception, inspired by experimentation and contextualization, the studio offers multimedia solutions ranging from corporate identities, posters, books, web design to installations, spatial experiments, scenography and experimental film, … in a spatial, digital and printed matter.
Studio Abricot fuses the line between art and design. By transforming research into reality it uses the language of design to craft contemporary visual narratives in the two-and three-dimensional space. The Studio adopts an experimental work methodology while keeping the idea of conceptual design at the heart of every project. It values an interpretative, translating approach in design in order to find a relevant form of expression for each creative endeavor.
Studio Abricot provides artistic direction on all design projects enabling brands, clients or institutions to connect with their audience through immersive storytelling. Rachel conducts an ongoing exploration on the possibilities of design, constantly pushing its conventional boundaries and making of Studio Abricot a space where creativity meets functionality and artistry blends with purpose.
SPATIAL COMMUNICATION DESIGN
Spatial design is all about exploring the convergence of space and media as interface for communication. It’s multifaceted approach leads to design outputs spanning from installations to films and performances, to objects and scenographies. Physical model building and real-scale experiments are used to test initial implementations of a project. At its core is the creation of multi-sensory experiences inviting the audience to engage with design and the explored subject in a meaningful and immersive way.
VISUAL COMMUNICATION DESIGN
Studio Abricot's graphic design approach is influenced by the "Swiss Style" which emerged in the mid-20th century. By emphasizing conceptual depth, a restrained visual aesthetic with typography as the primary focus, and a minimal use of color, the works achieve a formal clarity that draws attention to the information being conveyed. Within the realm of graphic design, the Studio concentrates primarily, but not exclusively, on projects implemented in the cultural field, with the objective of creating compelling visual solutions that effectively communicate complex ideas.
In both design forms, one finds the necessity of engaging with the material, which in the case of visual and spatial design is the material of the artifact. Whether it is a poster, an installation, a book or a short film, regardless of the medium chosen, the material of the content being worked with must also be considered. Design is about the interpretation of the material on different levels and the translation of content from one form to another.
Studio Abricot’s work is characterized by a cross-disciplinary approach breaking down complex issues with subtlety and simplicity. Its design practice seeks to drive and create critically relevant and contemporary project possibilities shaped by the desire of generating new visions and rethinking conventional approaches.
EXPERIENCE
Group exhibition at Salon du Cal —Cercle Artistique Luxembourg at Tramsschapp, Limpertsberg, Luxembourg / November 4th —19th 2023
Group exhibition at ViArt Gallery in Vianden, Luxembourg / August 2023
Studio assistance at Feipel & Bechameil, Brussels / February 2022 – May 2022
Founding of Studio Abricot – creative direction and design studio specialised in communication and spatial design, Luxembourg / November 2021 – present
Member of the jury for the selection of future students for the Master Space and Communication design, HEAD Geneva / May 2020
Hermès window set design for the Geneva Boutique, collectif class project [Dans l’oeil du Prince], Geneva / April – December 2020
Participation at the Design Film Festival with the short film OSCAR, London / December 2019 – July 2020
Camper project Workshop participation with the project Cami O.S. Mallorca & Geneva / October – November 2019
Verbier Art Summit Workshop participation with the project Verbier Daily, Verbier & Geneva / September – October 2019
Assistant of the dean of the faculty of design, University of Applied Sciences, Munich / October 2018 – July 2019
Exhibition participation at Candy Shop Vol. 1 with the project The subjective sense, Munich / June 2018
Exhibition participation at FLO * * with the project W[e] is for Women, Munich / July 2018
Curricular internship at Narcisse Magazine and Narcisse Agency, Paris / September 2017 – February 2018
Coporate identiy for the end-of-study exhibition as a collectif project and simultaneous magazine release exhibition of DOC. magazine issue N° 14, Munich / July 2017
Magazine release exhibition of DOC. magazine issue N° 13 at Nachtbad, Munich / April 2017
Editorial member of Doc Magazine at University of Applied Sciences, Munich / October 2016 – July 2017
AWARDS
2023 – 2nd price at Biennale des jeunes artistes, ViArt Luxembourg
2023 – Silver Award for Never absolute always relative, Luxembourg Design Awards in the category of installation design
2023 – Silver Award for The end of daltonism as an obstruction, Luxembourg Design Awards in the category of editorial design
2023 – 3 nominations for Luxembourg Design Awards, with The end of daltonism as an obstruction, Nordstad-Lycée and Never absolute always relative
2021 – Nominee for the Hans Wilsdorf Excellent Price, Switzerland
2021 – Auguste Van Werveke-Hanno Price for extraordinary student achievements, Luxembourg
2019 – Gold Award for Silent Companions, Luxembourg Design Awards in the student category
2017 – Special Mention of the Jury for Tsunami, Luxembourg Design Awards in the student category
Press
Paperjam magazine —Next Gen, edition october 2024 — 2024
Paperjam online article on the project of Creutz (&) Friends — 2024
Creutz (&) Friends online presentation of the creative team behind the project — 2023
ZLV online article on the CAL exhibition of 2023
D’Handwierk magazine, edition june 2023 - on the Luxembourg Design Awards 2023
Bold magazine online article on the Luxembourg Design Awards of 2023
Adada online article on the Luxembourg Design Awards ceremony of 2023
Adada online article on the Luxembourg Design Awards nominations of 2023
Adada online article on the Luxembourg Design Awards nominations of 2023
RTL online article on the Auguste van Werveke-Hanno scholarship — 2021
Paperjam online article on the Luxembourg Design Awards ceremony of 2019
Paperjam online article on the Luxembourg Design Awards laureats of 2019
THE CAPRICIOUSNESS – IT IS OR IT IS NOT IT IS OR IT IS NOT OR IT IS. NOTHING IS SUBJECT TO SO MANY DIFFERENCES. NOTHING IS AS IMPERMANENT. NOTHING IS EVERYTHING AT THE SAME TIME.
– P01 & P05, ON THE CONDITION OF METEOROLOGY
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English
French
German
Luxembourgish
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InDesign
Photoshop
Illustrator
Lightroom
Premiere Pro
After Effects
Adobe XD
Glyphs
Madmapper
Audacity
Microsoft Office
Basics of HTML / CSS
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2019 - 2021 – Master of Arts, HEAD — Haute Écolde d’Art et du Design, Geneva — Spatial communication design
2015 - 2019 – Bachelor of Arts, University of Applied Sciences, Munich — Communication design
2008 - 2015 – Graduate, Athenée du Luxembourg, section artistique